recording magazine

The Evolution Of Evolutionary Mixing

This article first appeared in Recording Magazine. I reprint it here with permission, and I encourage you to subscribe to that publication, as they are a stand up bunch of folk! The modern recording process has been set for quite a while.  It goes: Pre-Production (writing/rehearsing, etc.) Tracking Mixing Mastering Keeping  these processes separate and distinct has its […]

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Feeding Back

Improving your tracks by soliciting critique This article first appeared in Recording Magazine. I reprint it here with permission, and I encourage you to subscribe to that publication, as they are a stand up bunch of folk! Normally in the audio world we try to eliminate feedback.  Nobody wants that high-pitched caterwauling ruining an otherwise perfect performance.  That

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Could It Be The Drums?

Modern use of drums is different now This article first appeared in Recording Magazine. I reprint it here with permission, and I encourage you to subscribe to that publication, as they are a stand up bunch of folk! There’s just something about a live drummer.  I’ve said this hundreds of times.  Two records ago, I insisted on using

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Stretching The Budget

How to get the biggest bang for your recording studio buck This article first appeared in Recording Magazine. I reprint it here with permission, and I encourage you to subscribe to that publication, as they are a stand up bunch of folk! Not so long ago, a recording project required a full-fledged studio. Things have changed now, and

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Master Your Own Domain

When (and how) to master your own mixes This article first appeared in Recording Magazine. I reprint it here with permission, and I encourage you to subscribe to that publication, as they are a stand up bunch of folk! Conventional wisdom says you should never master your own mixes.  Conventional also wisdom says you should never mix your

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Master The Craft And The Art Will Follow

This article first appeared in Recording Magazine. I reprint it here with permission, and I encourage you to subscribe to that publication, as they are a stand up bunch of folk! One of my earliest mentors was a man named Dale, but we always called him “the old man”.  He was a documentary producer at the local public

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