Let’s not beat around the bush. You probably got stuck at home for a long time due to the virus which shall remain nameless. So maybe “on the go” is an ironic thing to say, but the concept of mixing outside of the normal studio setting is what we’re talking about here.
6 Tips for Audio Mixing on the Go Read More »
It wasn’t long ago that you could spot an amateur a mile away by the cheesy sound of their fake drums and lame piano samples. Back in the dinosaur age – aka 15 years ago – you couldn’t make a record if you didn’t have a bunch of great players, instruments, and a tricked-out studio to record them in – unless you were specifically making “synthy” music.
The Value of Real Musical Instruments in the Time of Computer Magic Read More »
Delay is one of those staple effects. No DAW is without at least one delay plugin, and most mixes utilize this bread-and-butter effect in some way. Not to mention, hardware delays are a lot of fun too. There’s a good chance you’re using it regularly, perhaps to create a repeating effect, make a ping-pong happen, or any number of creative things. There are, in fact, a whole host of useful things you can do with a delay, so we thought we’d go over five creative ways you can use delay in a mix.
5 Creative Ways to Use Delay in a Mix Read More »
It’s one thing to have a good idea. But ideas are a dime a dozen. What you really need if you’re trying to make something of yourself as a songwriter is finished songs.
Finishing Touches: Tips for finishing more songs Read More »
If your studio is lacking the low-end punch you need to hear what you’re doing with the bass frequencies, you might want to add a subwoofer to your setup. You may have even picked up something like Carvin Audio’s TRX3118A active subwoofer, but what you may not have thought about is how to set the level of your new sub.
How To Calibrate A Studio Subwoofer Read More »
Imagine this scene. You’ve laid down an incredible piano part, a great vocal, and a passable drum line. You’re thinking this song would really be better with a real drummer, and you know just the person. You call them up, send them the track and they love it. You know how to integrate their performance, you know how to be flexible and collaborative, and you’re confident the track will soar because of your friend’s influence.
But when you think about paying for that work, things get a little iffy. Maybe your budget is tight and you’d rather not spend anything, but your friend normally costs $200 a session. What can you offer?
Sharing Backend Royalties (or not!) Read More »
The days of every record being made in a commercial studio are long gone. In fact, some producers weren’t even born in those days. Now, productions are made everywhere from multi-million dollar studios to bedrooms to airplanes. With so many people making recordings on laptops and without high dollar monitors or proper acoustic treatment, it makes sense that more and more mixing is being done on headphones.
Mixing In Headphones – Is It Possible? Read More »
Not everybody has the luxury of a multi-room studio complete with control room, recording space, and booths. Many great recordists make do with one room which serves all these purposes and more. Some people even prefer it that way. After all, who wants to run back and forth between two rooms every take? Other than fitness buffs, that is.
Still, while it may be true that a most recordists work in one room, when we talk about acoustic treatment, we usually talk about specialized rooms such as mix rooms or live rooms.
So, we thought it’d be good to talk about acoustic treatment for multi-purpose spaces – the kind of space most people actually record in.
Swiss Army Recording Rooms Read More »
This article about building your music business first appeared on SonicScoop.com. I reprint it here and encourage you to check out their super informative site! It’s a jungle out there. Or a forest. Or maybe a desert. It could be an ocean teeming with sharks. Whatever it is, we can probably all agree the music
8 Pitfalls to Avoid While Building Your Music Business Read More »
Why boom bap boom boom bap is not enough for your beats This article on how to make your beats interesting first appeared on SupremeTracks.com. I reprint it here with permission and I encourage you to check out their services. There’s a fine line in rhythm-based music between repetition and variance. It’s certainly necessary to
The Rhythmic Turnaround: How to make your beats interesting Read More »
