aaron j. trumm

Start With the Drums: Cleaning Up Your Stage Sound from the Ground Up

We’ve talked at length about why you might want to turn down on stage, and how that can improve your stage sound overall. This conversation usually centers around guitar cabinets. There is ample justification for that, as an out of control guitar can be problematic, especially in a small room.

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The Value of Real Musical Instruments in the Time of Computer Magic

It wasn’t long ago that you could spot an amateur a mile away by the cheesy sound of their fake drums and lame piano samples. Back in the dinosaur age – aka 15 years ago – you couldn’t make a record if you didn’t have a bunch of great players, instruments, and a tricked-out studio to record them in – unless you were specifically making “synthy” music.

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Proper Stage Volume: Why (and How) You Might Want to Turn Your Amp Down on Stage

It’s no secret house sound engineers fight with guitarists about proper stage volume for amps, especially in small venues. It may even be a bit of a cliché to mention it. “Turn it down!” often becomes “I’ll turn it down for you!” and “I need it louder!” turns into “I’ll just sneak over here and turn this up…”.

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5 Creative Ways to Use Delay in a Mix

Delay is one of those staple effects. No DAW is without at least one delay plugin, and most mixes utilize this bread-and-butter effect in some way. Not to mention, hardware delays are a lot of fun too. There’s a good chance you’re using it regularly, perhaps to create a repeating effect, make a ping-pong happen, or any number of creative things. There are, in fact, a whole host of useful things you can do with a delay, so we thought we’d go over five creative ways you can use delay in a mix.

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Sharing Backend Royalties (or not!)

Imagine this scene.  You’ve laid down an incredible piano part, a great vocal, and a passable drum line.  You’re thinking this song would really be better with a real drummer, and you know just the person.  You call them up, send them the track and they love it.  You know how to integrate their performance, you know how to be flexible and collaborative, and you’re confident the track will soar because of your friend’s influence.

But when you think about paying for that work, things get a little iffy.  Maybe your budget is tight and you’d rather not spend anything, but your friend normally costs $200 a session.  What can you offer?

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Swiss Army Recording Rooms

Not everybody has the luxury of a multi-room studio complete with control room, recording space, and booths. Many great recordists make do with one room which serves all these purposes and more. Some people even prefer it that way. After all, who wants to run back and forth between two rooms every take? Other than fitness buffs, that is.

Still, while it may be true that a most recordists work in one room, when we talk about acoustic treatment, we usually talk about specialized rooms such as mix rooms or live rooms.

So, we thought it’d be good to talk about acoustic treatment for multi-purpose spaces – the kind of space most people actually record in.

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8 Pitfalls to Avoid While Building Your Music Business

This article about building your music business first appeared on SonicScoop.com. I reprint it here and encourage you to check out their super informative site! It’s a jungle out there.  Or a forest.  Or maybe a desert.  It could be an ocean teeming with sharks.  Whatever it is, we can probably all agree the music

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