Procedure for recording Third Option “Frosted Mini Wheats” CD

Recording Procedures /

Basic Setup: Initial Recording Format: 8 Track Darwin Harddisk Mix Destination Format: DAT Final Format: CD Master and Duplicated CD’s Mixer: Mackie 12 Channel VLZ Outboard Processing: Art SGE Mach II Efx Processor Synths: Alesis S4, Yamaha TG100, Boss DR660, Ensoniq Mirage Mics: AKG D1000E Mastering: TC Electronics Finalizer Procedure: Tracking: Most instrument tracks were […]

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Procedure for recording Third Option “Monkey Set” CD Mix Set

Recording Procedures /

Basic Setup: Initial Recording Format: 8 Track Emu Darwin Mix Destination Format: DAT/CD Final Format: CD Master and Duplicated CD-Rs Mixer: Behringer DDX3216 32 Channel Automated Digital Mixer Outboard Processing: Internal to the Behringer mixer Synths: Alesis S4, Boss DR660 Drum Machine Software: Propellerhead’s Rebirth, Cakewalk Mics: Shure 55SH (50’s style mic) Mastering: Behringer Ultrafex

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Procedure for recording Third Option “Still” EP

Recording Procedures /

Basic Setup: Initial Recording Format: 8 Track Darwin Harddisk Mix Destination Format: DAT Final Format: CD Master and Duplicated CD’s Mixer: Mackie 12 Channel VLZ Outboard Processing: Art SGE Mach II Efx Processor Synths: Alesis S4, Yamaha TG100, Boss DR660 Mics: AKG D1000E Mastering: TC Electronics Finalizer Procedure: Tracking: Most instrument tracks were tracked to

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Procedure for recording Third Option “Cult Of Nice” CD

Recording Procedures /

Basic Setup: Initial Recording Format: 24 Track ADAT Mix Destination Format: DAT/CD Final Format: CD Master and Duplicated CD’s Mixer: Mackie 32×8 Outboard Processing: Lexicon Reverbs, Art SGE Mach II Efx, 1178 compressor, Furman compressors, DBX Compressors, Alesis Quadraverbs, Zoom vocal efx Synths: Alesis S4, Yamaha TG100, Boss DR660, Ensoniq Mirage, ASR-10, Casio CT770, somebody’s

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Basics of EQ

Audio Instruction /

From 1994. This thing on the basics of EQ was written for a class I was TAing at the University of New Mexico, put on a web page, and then published in Cubase Newsletter without my knowledge or consent! Back then I guess people didn’t think IP laws applied to the web. They gave me credit. Aka my name. We all did stuff like that all the time back then. You could use movie samples on your CD to your heart’s content, we figured, as long as credit was given. How naive. Anyway, here’s the “article”, which is from when all our eq’ing was done using hardware EQs.

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